Hampi: more than ruins

Published in HT Cafe this Saturday…

United colours of Hampi

The colour of Hampi is sepia. Not the soft sepia of fading and happy memories but a sharp brown that seeps into all your senses and dulls them after a while. It is the colour of the dry earth, the imposing hills and the precarious rocks of the region. It is also the colour of the temples and monuments that Hampi is rightly famous for. Even the auto-rickshaw waiting to take us around carries this slogan – Hampi: a historical story tells by every stone. Indeed.

Hanuman ki Jai!

A really wide hat!

It is perhaps to make up for the monotone of the land, that the people of Hampi fill their surroundings with as much colour as possible. Sitting on the ghats on the banks of the Tungabhadra early one morning, I watch the tableau unfolding in front of me (keeping half an eye and ears on the interesting been-there-done-that conversation between two groups of European backpackers). A man waves his white dhoti in the air, willing it to dry, as his small children run under it and make up an impromptu childhood game. Lakshmi, the temple elephant, lumbers down the steps a few minutes later guided by her mahout. The kids shriek in delight, even as Lakshmi indifferently goes through her routine scrub and spa ritual.

Blowing in the wind

Collection agents

Later, walking up the ghat steps leading to the rear of the Virupaksha temple, I come upon a familiar sight in Hampi. Three brightly dressed men – in their ‘holy men’ avatar of orange and green robes, orange turban and peacock feather on the head to boot – are posing for a photograph with a foreigner. A small amount of money changes hands after this photo-shoot and everybody leaves the scene happy. Not for long though. They spot me taking their photographs and begin demanding money, irate when I refuse with a smile. Ah, well. I was lucky the earlier day; the sadhu near the market was happy to pose, and with a benign “free photo for you” proclamation.

The colour of kumkum

Portuguese traveller Domingo Paes (early 16th century) described the Hampi market as a broad and beautiful street where “live many merchants, and there you will find all sorts of rubies and diamonds and emeralds and pearls and clothes and every other sort of thing there is on earth and that you wish to buy”. Today, there are shops selling kitschy handicraft and multicolour tubs of kumkum, children hawking postcards, restaurants offering world cuisine and guesthouses sporting ‘Recommended by Lonely Planet’ boards. However it is true, every other sort of thing there is on earth is still here. Welcome to Hampi.

TRAVEL INFORMATION

It is easiest to get to Hampi from Bangalore; take the convenient overnight Hampi Express (departs 10.30 p.m. from Bangalore City station) that drops you at Hospet, the nearest railway station by 07.30 a.m. From Hospet, Hampi is a short (14 km) half hour autorickshaw ride away. From Mumbai, fly or take the train to Hubli, and then take a car or bus for the 160 km (three hours) journey to Hampi.

Inside Hampi, you can hire an autorickshaw to take you around. A better way is to hire a bicycle or motorbike and make your own way; in the cooler months, you can walk, since most temples are scattered around the market area.

There is enough to do in Hampi, after you have seen the temples and monuments. Walk along the Tungabhadra, spend time people-watching on the ghats or take a coracle ride. Climb up Matanga Hill (near the Achutaraya temple) for a sunrise certified by the venerable Lonely Planet as one of the best in the world, or Hemakuta Hill on the other end of the market (an easier climb, close to Virupaksha temple) to watch the sun set over the valley. If you are feeling adventurous, you can trek up Anjaneya hill near Anegundi (considered the birthplace of Hanuman), just 5 km from Hampi. This is worth the effort, if not for the small Hanuman temple at the top, then definitely for the view. For lunch, head to the Mango Tree, in the middle of a banana plantation, where you can sprawl on chatais and watch the placid Tungabhadra in front of you as you eat.

Stories in stone

The main gopura The story of Hampi is the story of stone. You disagree? You think it is sacrilege to reduce the heady might and valour of the Vijayanagara kings to the passivity of stone? Stone – inanimate, indifferent and cold?

No, it is true. In Hampi, the stones tell you more interesting stories than your guide ever can (and believe me, the guides have some juicy ones up their sleeve). All you need is a wee bit knowledge and oodles of imagination. And nowhere are the stories more absorbing than at the Vitthala temple, perhaps because the large open courtyard space inside the (broken) temple walls allow you space to exercise that imagination.

By the shade of the tree

This 15th century temple has faced more than its share of destruction from invaders over the years, as is evident from the broken main gopura and several pillars inside the complex. Now a UNESCO world heritage site, this temple dedicated to Vishnu is being preserved with great care by the authorities.

Tourists

A pity, in some ways, since this means that the main mahamantapa has been cordoned off, and visitors are not allowed in. I was lucky the last time I visited Hampi when I could climb up the few steps and enter the mantapa. The outer walls and pillars are carved with intricate and never-ending patterns of dancing women and horses and elephants. However, the mantapa is a delight for more than just the lush carvings; it houses the musical pillars. Each of the 56 tall pillars that support the roof the mantapa emanates a musical note when tapped. Our guide arranges for one of the security guards to give our group a demo; sa re ga ma, guitar, jaltarang, he goes on.

The sound of music

Perhaps the most recognizable element of the temple complex is the stone chariot in the main courtyard, with wheels that can revolve even today, it is said. The other unmissable structure is the king’s balance, the Tulabharam on the way leading to the Tungabhadra, standing over 15 feet tall. It is here that the kings used to be weighed against grain or fruit, and on special occasions gold and gems, which would then be distributed to the poor.

The wheels of time

The king's balance

A tip: Vitthala temple is right by the river; the most enjoyable way to reach the temple is by a short coracle ride from the ghats near Matunga hill or a walk by the river. The journey by road, in contrast is long and winding, and not half as interesting.