Hampi: more than ruins

Published in HT Cafe this Saturday…

United colours of Hampi

The colour of Hampi is sepia. Not the soft sepia of fading and happy memories but a sharp brown that seeps into all your senses and dulls them after a while. It is the colour of the dry earth, the imposing hills and the precarious rocks of the region. It is also the colour of the temples and monuments that Hampi is rightly famous for. Even the auto-rickshaw waiting to take us around carries this slogan – Hampi: a historical story tells by every stone. Indeed.

Hanuman ki Jai!

A really wide hat!

It is perhaps to make up for the monotone of the land, that the people of Hampi fill their surroundings with as much colour as possible. Sitting on the ghats on the banks of the Tungabhadra early one morning, I watch the tableau unfolding in front of me (keeping half an eye and ears on the interesting been-there-done-that conversation between two groups of European backpackers). A man waves his white dhoti in the air, willing it to dry, as his small children run under it and make up an impromptu childhood game. Lakshmi, the temple elephant, lumbers down the steps a few minutes later guided by her mahout. The kids shriek in delight, even as Lakshmi indifferently goes through her routine scrub and spa ritual.

Blowing in the wind

Collection agents

Later, walking up the ghat steps leading to the rear of the Virupaksha temple, I come upon a familiar sight in Hampi. Three brightly dressed men – in their ‘holy men’ avatar of orange and green robes, orange turban and peacock feather on the head to boot – are posing for a photograph with a foreigner. A small amount of money changes hands after this photo-shoot and everybody leaves the scene happy. Not for long though. They spot me taking their photographs and begin demanding money, irate when I refuse with a smile. Ah, well. I was lucky the earlier day; the sadhu near the market was happy to pose, and with a benign “free photo for you” proclamation.

The colour of kumkum

Portuguese traveller Domingo Paes (early 16th century) described the Hampi market as a broad and beautiful street where “live many merchants, and there you will find all sorts of rubies and diamonds and emeralds and pearls and clothes and every other sort of thing there is on earth and that you wish to buy”. Today, there are shops selling kitschy handicraft and multicolour tubs of kumkum, children hawking postcards, restaurants offering world cuisine and guesthouses sporting ‘Recommended by Lonely Planet’ boards. However it is true, every other sort of thing there is on earth is still here. Welcome to Hampi.

TRAVEL INFORMATION

It is easiest to get to Hampi from Bangalore; take the convenient overnight Hampi Express (departs 10.30 p.m. from Bangalore City station) that drops you at Hospet, the nearest railway station by 07.30 a.m. From Hospet, Hampi is a short (14 km) half hour autorickshaw ride away. From Mumbai, fly or take the train to Hubli, and then take a car or bus for the 160 km (three hours) journey to Hampi.

Inside Hampi, you can hire an autorickshaw to take you around. A better way is to hire a bicycle or motorbike and make your own way; in the cooler months, you can walk, since most temples are scattered around the market area.

There is enough to do in Hampi, after you have seen the temples and monuments. Walk along the Tungabhadra, spend time people-watching on the ghats or take a coracle ride. Climb up Matanga Hill (near the Achutaraya temple) for a sunrise certified by the venerable Lonely Planet as one of the best in the world, or Hemakuta Hill on the other end of the market (an easier climb, close to Virupaksha temple) to watch the sun set over the valley. If you are feeling adventurous, you can trek up Anjaneya hill near Anegundi (considered the birthplace of Hanuman), just 5 km from Hampi. This is worth the effort, if not for the small Hanuman temple at the top, then definitely for the view. For lunch, head to the Mango Tree, in the middle of a banana plantation, where you can sprawl on chatais and watch the placid Tungabhadra in front of you as you eat.

Stories in stone

The main gopura The story of Hampi is the story of stone. You disagree? You think it is sacrilege to reduce the heady might and valour of the Vijayanagara kings to the passivity of stone? Stone – inanimate, indifferent and cold?

No, it is true. In Hampi, the stones tell you more interesting stories than your guide ever can (and believe me, the guides have some juicy ones up their sleeve). All you need is a wee bit knowledge and oodles of imagination. And nowhere are the stories more absorbing than at the Vitthala temple, perhaps because the large open courtyard space inside the (broken) temple walls allow you space to exercise that imagination.

By the shade of the tree

This 15th century temple has faced more than its share of destruction from invaders over the years, as is evident from the broken main gopura and several pillars inside the complex. Now a UNESCO world heritage site, this temple dedicated to Vishnu is being preserved with great care by the authorities.

Tourists

A pity, in some ways, since this means that the main mahamantapa has been cordoned off, and visitors are not allowed in. I was lucky the last time I visited Hampi when I could climb up the few steps and enter the mantapa. The outer walls and pillars are carved with intricate and never-ending patterns of dancing women and horses and elephants. However, the mantapa is a delight for more than just the lush carvings; it houses the musical pillars. Each of the 56 tall pillars that support the roof the mantapa emanates a musical note when tapped. Our guide arranges for one of the security guards to give our group a demo; sa re ga ma, guitar, jaltarang, he goes on.

The sound of music

Perhaps the most recognizable element of the temple complex is the stone chariot in the main courtyard, with wheels that can revolve even today, it is said. The other unmissable structure is the king’s balance, the Tulabharam on the way leading to the Tungabhadra, standing over 15 feet tall. It is here that the kings used to be weighed against grain or fruit, and on special occasions gold and gems, which would then be distributed to the poor.

The wheels of time

The king's balance

A tip: Vitthala temple is right by the river; the most enjoyable way to reach the temple is by a short coracle ride from the ghats near Matunga hill or a walk by the river. The journey by road, in contrast is long and winding, and not half as interesting.

My heart is in Hampi

I know you are thinking that there has been too much of Hampi in this blog – but that is a place that truly keeps calling me back – but this is the last one, I promise. I had written a short post on the Virupaksha temple a while ago on this blog – this longer piece was published today in BRUNCH – the Sunday supplement of Hindustan Times as ‘Written in Stone’ (the link is valid only for a week – so this is the published piece in full).

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More Hampi Photographs

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There are really two ways to see Hampi – one is the been-there-done-that-seen-that way that so many people seem to like so much. And the other is to throw your guide book and checklists aside and explore, savor the feeling of time travel and listen to the stories the ruins tell you. I did a bit of both, I admit. When we reached, Hampi was celebrating Independence Day with the gusto that only small-town India can muster – kids at the local primary school listlessly going through the motions of march-past, the tricolor fluttering gaily everywhere. Breakfast done at a non-descript restaurant on the bazaar road, we headed to the first “item” on our list – the Virupaksha temple.

The Virupaksha temple dominates the Hampi skyline (such as it is) – it is one of the first things you spot as you officially enter Hampi, crossing the small Ganesha temples and turning the corner down into the steep path that leads to Hampi bazaar at a distance. As you walk away from it towards Matanga hill, turn from anywhere on the road, or from the steps that lead towards Achutaraya temple on the other side, and you see the tower on the other end of the road, tall and proud or peeking out from somewhere between pillars. Or from the Ganesha temples, from the top of Hemakuta hill, from the mandatory roof-top restaurant of any of the guesthouses around the bazaar.

In a town where all temples and places built by the Vijayanagara dynasty are now in ruins, the Virupaksha temple stands in amazingly good condition. Our guide Lokesh “full name Lokabhirama but too long to confusing” tells us that the Muslim invaders who destroyed most of Hampi, spared this temple on seeing the symbol of a boar (considered sacred, goes the story) etched on the wall near the entrance of the temple. The invaders could not have been all that clever if all it needed to keep them at bay was a boar in stone. Sadly, nor were the local architects and builders very clever – why aren’t there more stone boars in temples then?

Now guides will be guides and invaders will be invaders and all that, so I have no idea how true this story is, but whatever the reason, the Virupaksha temple has survived through the centuries. Dedicated to Lord Shiva, or Pampapati (the husband of Pampa, the goddess Bhuvaneshwari), this temple was built some time in the early fifteenth century, and further renovated in the sixteenth century by Krishnadevaraya, the most famous of the Vijayanagara rulers.

And just outside, on your way back to the main gate are monkeys drinking milk straight out of plastic milk covers and the temple elephant, who gobbles up the bananas you offer and imparts her blessings only when money has changed hands. There is also the pied-piper of Virupaksha, the old man who blows this long horn and poses for your camera, all for a small fee. All of them were in full performance mode that day, a midweek holiday when the crowds had come in from all over to worship at the temple.

Temples and more

The rest of the day was a blur – remember, this was day one at Hampi, officially the day of the checklist; so we went on our bikes from temple to temple, following Lokesh in the August heat. By the time we left the third temple complex my husband had a glazed look in his eyes, a look that left him only at Vitthala temple, which Lokesh promised us sincerely, was the last for the day.
We reached Vitthala the long way, following the road as it snaked all around Hampi; it was the next day that we discovered that it is actually a short pleasant walk from the bazaar along the river or a coracle ride away. The Vitthala temple is located inside a complex consisting of smaller temples and monuments, including the stone chariot and dancing halls, with their carved walls depicting life as enjoyed by the royals. The highlight of this temple however is the central hall (Mahamantapa) with its tall pillars, each of them emitting a musical note, the saptaswara pillars, perhaps the origin for that famous line we hear all the time – that the stones sing in Hampi. The temple complex also has the fascinating Tulabhara (known as the king’s balance) – the huge structure on which kings weighed themselves against gold and precious gems to be given away to the gods or the people.

Although the Vitthala temple has UNESCO heritage monument status, my personal favorite was the quieter Hazara Rama temple, with its long brown outer walls, lush with carvings of scenes from the Ramayana and the solid black granite pillars inside, cool and soothing in the heat. Perhaps it also had something to do with the time we reached the temple, the late afternoon sunlight streaming in through the windows and doors of the temple felt magical, creating mysterious shadows that drive any tiredness away.

Hampi is divided into two main zones – the sacred centre and the royal centre. In both, there are numerous other astounding monuments : notably the zenana enclosure with its beautiful pink-walled lotus mahal and elephant stables, the Queen’s bath and the King’s Palace complex with it geometric step-well and imposing navami tibba (from where the kings reviewed Dusshera celebrations) – and temples : the big and small Ganesha temples, the Krishna temple, the underground Shiva temple.

Give these a miss if you do not have the time but do try to squeeze in a visit to the Achutaraya temple complex. The feeling of traveling back in time hits you even as you stand on top of the hillock close to Matanga hill, seeing the ruins sprawled below. After walking around the ruins of the temples, take the path leading towards the river. Known inexplicably as Courtesan’s Street, this was once a thriving market in gems and jewellery. The splendor of the past days is still visible on the carvings on the pillars on either side of the road, which once supported elaborate pavilions. I closed my eyes for a moment and imagined that I could hear the clinking of the anklets and bangles and the tinkle of feminine laughter. Courtesans? Queens?

Other than ruins

If you are not particularly interested in history or tend to get ruin-weary very quickly, do not worry; there is something for everyone in Hampi. Climb to the top of Matanga Hill to witness what Lonely Planet describes as one of the best sunrises in the world. Or walk up Hemakuta hill, dotted with fifty small temples, close to Virupaksha temple, watch the sun set over the hills in the distance, the snaky silvery Tungabhadra getting flecked with gold, and enjoy the silence as it seeps into your soul. Take a coracle ride on the river or a bus ride to the nearby Tungabhadra dam.

Shopping and eating

Domingos Paes, a Portuguese traveler who visited Hampi during the reign of the Vijayanagara kings, circa AD 1520 says – In this street live many merchants, and there you will find all sorts of rubies, and diamonds, and emeralds, and pearls, and seed pearls, and cloths, and every other sort of thing there is on earth and that you may wish to buy. All that remains of this today is a long narrow stretch of road just as you exit the Virupaksha temple, known as Hampi bazaar, overflowing with tiny restaurants (all carrying “recommended in Lonely Planet” signboards) and little hand carts and stalls selling everything from cheap plasticware to the ubiquitous “ethnic” Rajasthani handbags. (As an aside, isn’t it a wonder how beauty is unique where it is found, whereas kitsch is the same everywhere?) There is not much shopping as such in Hampi unless you count the delightful little bookshops all over.

Alternatively, you can turn left just outside the Virupaksha temple towards the Tungabhadra for a lovely walk by the riverside. More importantly, it takes you to the wonderful Mango Tree restaurant, set in the middle of banana plantations right on the banks of the river, the huge mango tree forming a canopy from which a swing hangs invitingly. Or if you must have world cuisine, walk into any of the restaurants in the bazaar, each promising more and more exotic food, from Killar pizza and Bannufi pie to Maxican and Chinesn food.

Transport and stay

Take the convenient overnight train from Bangalore to Hospet and an autorickshaw on to Hampi. By road, it takes about eight hours to reach Hampi and the route is good almost throughout. Inside Hampi, it is possible to cover most of the sights by walk or on rented bicycles and bikes. Autorickshaws are available freely near the bazaar and can be hired for the day to take you around. You can stay in Hampi (highly recommended, for the town is magical at night, once the heat and bustle of the day has wound down) in one of the small but comfortable guesthouses or at Hospet if you definitely need star hotel comforts.

Heart of stone

Photo essay that appeared in the October issue of India Today Travel Plus… A few of the images from this photoessay can be viewed online here

Heart of stone

Don’t believe everything they tell you about Hampi – all those stones do not sing. Some of them speak to you with unmatched eloquence, some others stutter while others stare at you silently, mute witnesses to centuries of destruction wrought by nature and man.

Here among the ruins of the Vijayanagara empire is really the closest you can get to time travel. Watching the sun set from Hemakuta hill, watching the sun set or enclosed in the almost completely destroyed Achutaraya temple, it is possible to close your eyes and imagine that you have been thrown back a few centuries.

Keep your ears open, however, and listen to what the stones are saying. They ask you to return, and you will.

At Virupaksha temple in Hampi

The Virupaksha temple dominates the Hampi skyline (such as it is) – it is one of the first things you spot as you cross the small Ganesha temples and turn the corner down into the steep path that leads to Hampi bazaar at a distance. Walk away from it towards Matanga hill, turn from anywhere on the road, or from the steps that lead towards Achutaraya temple on the other side, and you see the tower on the other end of the road, tall and proud or peeking out from somewhere between pillars. Ditto when you visit the small Ganesha temples. Or when you climb up Hemakuta hill, dotted with fifty odd small temples, the perfect place to spend a peaceful evening. Alternatively, stay in any of the small guest-houses in the bazaar area and find yourself staring at the gopura during breakfast from the mandatory roof-top restaurant of the place, or stare at the glorious silhouette of the temple tower in the evening as the sky turns colors before the sun finally sets for the day.

Virupaksha temple from the Kadelakalu Ganesha temple

Through the pillars

In a town where all temples and places built by the Vijayanagar dynasty are now in ruins, the Virupaksha temple stands in amazingly good condition. Our guide Lokesh “full name Lokabhirama but too long to confusing” tells us that the Muslim invaders who destroyed most of Hampi, spared this temple on seeing the symbol of a boar (along with a sword and something else that I cannot remember now) etched on the wall near the entrance of the temple. Think of it – the invaders couldn’t have bee all that clever if all it needed to keep them at bay was a boar in stone – nor for that matter, were the architects and builders very clever – why aren’t there more stone boars in temples, I say?

Now guides will be guides and invaders will be invaders and all that, so I have no idea how true this story is, but whatever the reason, the Virupaksha temple has survived through the centuries. Dedicated to Lord Shiva, or Pampapati (the husband of Pampa, or the goddess Bhuvaneshwari), this temple was built some time in the early 15th century, and further renovated in the sixteenth century by Krishnadevaraya.

Inside the Ranga Mantapa

All the time to stand and stare...

Lokesh the guide and his temple reflections

Virupaksha reflections

While the temple is aesthetically a marvelous example of the architecture of those times, the highlight is a small dark room at the Western end, way behind the main tower. Here, in the mornings, you get to see an inverted image of the main gopura (tower) on a wall, as light falls through a small window. The pinhole camera concept, explains our guide, as he moves his hand in front of the small window, thus altering the size of the inverted shadow on the wall.

Shaky but stunning

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And just outside, on your way back to the main gate are monkeys drinking milk straight out of plastic milk covers and the temple elephant, who gobbles up the bananas you offer and imparts his blessings only when money changes hands. There is also the pied-piper of Virupaksha, the old man who blows this long horn and poses for your camera, all for a small fee. You exit the temple straight into Hampi bazaar, with its “recommended in Lonely Planet” restaurants and little hand carts and stalls selling everything from cheap plasticware to the ubiquitous “ethnic” Rajasthani handbags. Alternatively, you can turn left just outside the temple and reach the banks of the Tungabhadra, it a lovely walk by the riverside.

Horn ok please

Blowing his own trumpet